I've been slowly putting together loads of things for The Hush special features. A big part of the post process for us, was the foley and sound designing stages. They were fun and challenging; and there was always a need for time and patience. Layers must be built one at a time and then combined or filtered to get the right final sound.
In the meantime, while I put our The Hush version together, check out this video about Gary Hecker by Michael Coleman. Besides being insightful, it gives you a look into something that most movie goers take for granted, but this something brings the world movies take place in to life. Hecker is a seasoned professional who's worked on numerous high budget films, but it is an art form which he enjoys very much.
The funny thing is, when we did our foley passes on The Hush, we approached it in the same fashion (we had the same mindset and ideas for organizing ourselves and the executing the process). It seemed to come almost naturally. Granted our space was not as big, our equipment not as high-end and we don't nearly have as large a collection of sound making objects, we did spend the time and expelled our creativity in building our world with sound.